"Another Brick in the Wall" is the title of three songs set to variations of the same basic theme, on Pink Floyd's 1979 rock opera, The Wall, subtitled Part I (work title Reminiscing), Part II (work title Education), and Part III (work title Drugs), respectively, all of which were written by Pink Floyd's bassist, Roger Waters. It has become one of the most famous Pink Floyd songs. Part II is a protest song against rigid schooling in general and boarding schools in particular,[1] which led to the song being banned in South Africa during the apartheid regime.[2] It was also released as a single and provided the band's only number one hit in the United Kingdom, the United States, West Germany and many other countries. In addition, in the US, along with the tracks, "Run Like Hell", and "Don't Leave Me Now", "Another Brick in the Wall" reached number fifty-seven on the disco chart [3]. In the UK, it was their first single since 1968s "Point Me at the Sky", the song was also the final number one single of the 1970s. For Part II, Pink Floyd received a Grammy nomination for Best Performance by a Rock Duo or Group and lost to Bob Seger's "Against the Wind". In addition, Part II was number 375 on Rolling Stone's 500 Greatest Songs of All Time list.[4] The single sold over 4 million copies worldwide. The single, as well as the album The Wall, were banned in South Africa in 1980 after the song was adopted by supporters of a nationwide school boycott protesting racial inequities in education.[5]
ConceptEach of the three parts have a similar, if not the same, tune and lyrical structure (though not lyrics, aside from the "all in all" refrain), and each is louder and more enraged than the one before, rising from the sadness of Part I to the protesting Part II to the furious Part III. This tune is repeated in almost every song on the album, albeit in a different form each time. Part ICompositionPart I of the song is very quiet dynamically and features a long, subdued guitar solo. The vocals are softer and gentler in tone than in Parts II and III, although there is a short, sharp rise in dynamics and tone for a brief period towards the end of the lyrical portion. Sniffing, shouting, wailing, calling, and children can be faintly heard in the background, along the lines of "You! Stand still, laddie!" PlotThe Thin Ice discussed during the previous song breaks when Pink becomes older and learns of the death of his father. Pink is devastated by this reality and begins to build The Wall. Film versionPink's mother is seen praying in a church after the death of her husband overseas. Pink, however, is, at this point, oblivious of his death, and can be seen playing with a toy airplane. The song continues with Pink playing in a public park after his mother leaves him to go shopping. He sees a man who he takes a liking to in the absence of his own father. The man gives Pink a lift onto a ride, and it's clear Pink feels as if this man is his real father. Pink follows the man's son around, copying him, but doesn't understand why the other boy's father isn't paying attention to him. He grabs the man's hand but is shooed away, only to grab the man's hand again. The man pushes Pink away again, and dejectedly he sits on a swing. Part II |
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CompositionIn the album version of The Wall, "Another Brick in the Wall, Part II" segues from "The Happiest Days of Our Lives", with a trademark Roger Waters scream. The song has strong drums, a well-known bass line and distinctive guitar parts in the background with a smooth, yet edgy guitar solo. The song also features a group of school children for lead vocals in the second verse: as the song ends, the sounds of a school yard are heard, along with the teacher who continues to lord it over the children's lives by shouting such things as "Wrong! Do it again!" which somehow sounds mocking, and "If you don't eat yer meat, you can't have any pudding! How can you have any pudding if you don't eat yer meat?!", and "You! Yes! You behind the bikesheds! Stand still, laddie!", all of it dissolving into the dull drone of a phone ringing and ending with a deep sigh. School choirFor "Part II", Pink Floyd needed a school choir, and producer Bob Ezrin requested that sound engineer Nick Griffiths find one. Griffiths approached music teacher Alun Renshaw of Islington Green School,[6] around the corner from their Britannia Row Studios. Though the school received a lump sum payment of £1000, there was no contractual arrangement for royalties from record sales. Under a 1996 UK copyright law, they became eligible for royalties from broadcasts, and after royalties agent Peter Rowan traced choir members through the website Friends Reunited and other means, they lodged a claim for royalties with the Performing Artists' Media Rights Association in 2004.[7] PlotAfter being insulted by the teacher, Pink dreams that the kids in his school begin to protest against their abusive teachers. Film versionFollowing "The Happiest Days of Our Lives" Pink starts to daydream during his class. He imagines several students marching in unison to the beat of the song, following a path until they fall blindly into an oversized meat-grinder to re-emerge as putty-faced clones void of individual distinction. Starting with Gilmour's guitar solo, the children destroy the school building using hammers (foreshadowing the subsequent neo-fascist Nazi-like animated sequence with its marching hammers) and crowbars, creating a bonfire, dragging their teacher out of the burning school kicking and screaming. The song ends with Pink rubbing his hand, which the teacher slapped with a ruler in the previous song. During the song, the teacher's "meat and pudding" lines are folded into the first few lines of the school choir's lines, and are performed by the teacher in the film, played by Alex McAvoy. Music videoPrior to the film, the first video for the track, directed by Alan Parker, depicted students running in a playground and the teacher puppet from The Wall concerts was used. The video also mixed in some animated scenes later used in "The Trial" and "Waiting for the Worms". The children who sang on "Another Brick in the Wall (Pt. II)" were not allowed to appear in the video as they didn't hold Equity Cards.[8] Once the film was completed, the actual scenes of "The Happiest Days of Our Lives" and "Another Brick in the Wall, Part II" were combined into a new video, which now represents the music video for "Another Brick in the Wall". Alternate versions
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Chart (1979–1980) | Peak position |
---|---|
Australian Singles Chart | 1 |
Austrian Singles Chart | 1 |
Danish Singles Chart | 1 |
French Singles Chart | 1 |
German Singles Chart | 1 |
Italian Singles Chart | 31 |
Spanish Singles Chart | 1 |
Swedish Singles Chart | 1 |
Swiss Singles Chart | 1 |
UK Singles Chart | 1 |
U.S. Billboard Hot 100 | 1 |
The song is dynamically loud, and features the once subtle bass line, now much louder, to express Pink's rage. It is also the shortest 'part' of "Another Brick In The Wall".
Pink decides to finish this wall as a result of his rage after his wife's betrayal. He states that he has seen the "writing on the wall". He concludes that he no longer needs anything at all, dismissing the people in his life as just "bricks in the wall".
In the film, the song is accompanied by a montage of events that contributed to the construction of the wall. This version was also completely re-recorded with a faster tempo.
Country | Certification | Sales | Certification date | Comment |
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France | Gold [15] | 841,000 | 1980 | |
United Kingdom | Platinum [16] | 995,000 | January 1980 | |
USA | Gold [17] | 1,000,000 | 03/24/1980 | Re-certified platinum 9/25/01, same sales level. |
USA | Gold [18] | 500,000 | 05/08/2008 | Digital Sales Award |
Germany | Gold [19] | 150,000 | 1993 |
"Another Brick in the Wall, Pts. 1-3" | ||||
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Single by Korn | ||||
from the album Greatest Hits, Vol. 1 | ||||
Released | 2004 | |||
Recorded | 2004 | |||
Genre | Alternative metal | |||
Length | 7:08 | |||
Label | Epic Records | |||
Producer | Jonathan Davis, Korn, and Frank Filipetti | |||
Korn singles chronology | ||||
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A cover verison designed to protest the Irainian government’s actions during the 2009–2010 Iranian election protests, was created by the Toronto rock band “Blurred Vision”. The band is fronted by two brothers who fled Iran in 1986. The cover substitutes the original lyrics with “Hey, Ayatollah, leave those kids alone!” Procedes from Itunes downloads where donated to Amnesty International and the video to the cover went viral and became popular throughout South America, Europe, the UK, and North America.[21] The video also garnered attention in Iran, where among the youth Pink Floyd is popular. Before the video was released the band sought permission from Roger Waters, who gave his blessing and full permission to use the track and ceded them any rights to the phrase "Hey Ayatollah, leave those kids alone."[21] Waters also commented on his Facebook page, "I think it's great that these guys are using the song to protest against the repressive and brutal regime in Iran. I am proud to be a small part of this resistance. I think The Blurred Vision video is very accomplished and makes its point powerfully."[21] In early August 2010 Iran’s supreme leader, Ayatollah Ali Khamenei banned all forms of music, causing the band to speculate that their cover may have played a part in his decision.[21]
Preceded by "Walking on the Moon" by The Police |
UK number one single 15 December 1979 - 12 January 1980 |
Succeeded by "Brass in Pocket" by The Pretenders |
Preceded by "Crazy Little Thing Called Love" by Queen |
Billboard Hot 100 number one single March 22, 1980 – April 12, 1980 |
Succeeded by "Call Me" by Blondie |
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